458 Lott Legend And The Trijicon RMR06 Sight System

Over the last year we have had a number of inquires in regard to the Trijicon RMR sights and if they could be applied to our rifles? The questions we had seemed to work themselves out and I modified 2 Trijicon RM62 gunsmith bases that we finally acquired after quite a bit of effort to locate. The height of the stocks comb in relation to the height of the sight itself is as important as any other sight system. The Legends stock design and the RMR06 do work well together.

Anders arrived in Utah to hunt Mule Deer as well as have further work done to his Legend Heavy Sporter chambered for 458 Lott. This rifle has been used on one Elephant hunt already where he used both our Peep Sight and a S&B Zenith mounted in a set of our 30-mm rings. He did in fact use both sight systems to take two different Elephants. In short to try them both under field conditions.

One of his latest desires was to install the RMR06 as yet a third option. As we keep detailed records of scope mounts we make for each project I was able to duplicate the same radius that Brian had surface ground on the front ring to the underside of the RMR base, locate and drill the counterbores for the 8x40 screws and then have the base blued and ready for assembly when he stepped off the plane from Sweden. It took longer to drive to the range than it took to zero in the RMR06. He shot approximately 20 rounds to zero and test the system. He plans to use this rifle this winter in Sweden to add some wild boar to the menu for the holidays.

The Union Club In New York City Echols & Company Presentation

Last week I gave a Power Point Presentation to the Union Club In New York City. This presentation gave those in attendance a behind the curtain view of the construction process used to build both our Classic and Legend Rifles. My host Richard Turnure, club members, invited guest and the staff at the Union Club were most gracious and made my short stay quite memorable. This institution is steeped in history and it was an honor to be there. I have given these presentations all over the country for 20 years and find these engagements very enjoyable.

The last time I was in Manhattan was in 1979 when I applied for a position at Griffin & Howe. At the end of a two day interview I was offered a job but ultimately declined the position.

I would like to thanks those that were in attendance and hope the material covered was of interest to everyone.

Photo credit thanks to Wikipedia

The 2013 Mule Deer Season So Far

This has a been a good fall for some of our clients and friends. Lighting struck twice in Utah with LB's buck taken with Bucks and Bulls, Guides and Outfitters. LB's guide was Travis Adams and on a lease they have had for years. The buck was shot just at dark as he moved out of an Aspen patch to feed. The rifle used was made by Gene Simillion and chambered for 7mm Dakota.

         

The second buck was also taken in Utah again with Bucks and Bull Guides and Outfitters by a client of ours from Sweden. Anders had purchased a management tag and was to help cull some older breeding bucks that would never be considered by a trophy hunter. I was Anders guide on this hunt and I may have over-shot the protocol on this buck as I never saw the crab clawed fourth on the main beam. I will likely being clearing trails and mending gates this summer as disciplinary action for the oversight.  Anders made the comment that he saw more game on the first 2 days of the hunt than he might see in 2 years of hunting in Sweden. His shot was taken at 330 yards with a Legend 300 H&H Standard Sporter.

.This third buck was taken in Alberta by Chuck Nelson on a self guided hunt. Chuck said he past up 97 or 98 bucks before he had to be talked into shooting this bruiser, talked into? This buck was taken with a Left Handed 7mm Mashburn just shy of 300 yards. Chuck assembled the Mashburn with a LH Legend Stock and the help of some better than average Gun-Smithing talent in Canada.

      Talked into indeed. 

Professional Stockmaking, By David Wesbrook

Recently I acquired a copy of David Wesbrook's book on stockmaking. I had been aware of this book for a quite some time and had always meant to pick up a copy. Dave had one of the older copies in his possession and was kind enough to let it go. I first met Dave while on a pilgrimage to visit Fred Wells shop almost 30 years ago and we have kept in touch ever since that introduction all those years ago.

I enjoy reading right around dawn with a strong cup of coffee when the house is still quiet and the day full of possibilities. I usually read 10-20 pages and then head to the shop. I finished this book in two mornings and have since gone back and re-read a few select chapters. As a professional in the trade I found the text concise and very well written. The pictures are simply superb. If I were a budding hobbyist or journeyman the pages would be dog-eared and covered finger prints within a month.

Anyone interested in stockmaking from the casual observer or the seasoned practitioner will find this book an excellent addition to their library. Two thumbs up !!!!!!!

The Final Stretch, Finished With The Finish

Like they say about the Fat Lady singing? The same applies with checkering as it's only talk until you apply the finish. I apply at least 4 soaking coats. Then rub the stock out one last time with finish and rotten stone. Laps time from start to finish was 52.5 hours.

Remember the previous post entitled Into The Void? Below are some pics of those same voids that fell into or on the edge of the pattern. Had these voids been filled with glass only and not carefully fit with dutchman's the voids would have likely shown up as a less than stellar repair. In the end it's all about the details on the journey.

The Final Stretch, Grip Layout Continued

The task of bringing all the lines to depth at the grip must be done with the same care as the forend. Additional care must be taken in the curve of the grip to keep the deepening cutter from skipping out of the groove, the length of the cutter comes into play in this area and the shorter the better. Care must also be taken to keep these lines a parallel as possible. Due to the geometry of my grips and the style of this border some additional tooling is required. There are 6 of these tools, the 2 curved and modified rifler files, 2 engraving tools and 2 dog leg tapered chisels for trimming and cutting into the V's on the borders. I like to use a 3/32" square engraving tool sharpened on an angle to allow me to cut the diamonds to depth in this tight area. I also use a # 2 curved rifler files that I have surface ground to the same approximate width of my border to smooth out my initial chisel cuts. Where the border at the rear of the grip makes a radial up-hill curve I use another 3/32'' square engraving cutter with more heel ground onto it's cutting face instead of a veiner to establish this tight corner. With the pattern cut to depth I then begin to cut in the angular border flats on both sides of the grip. Time is now spent cleaning up the borders and looking for any diamonds that are still slightly flat topped. Apply finish is right around the corner.

The Final Stretch, Grip Layout

The layout of the checkering pattern for the pistol grip of any stock for me is fraught with "what if's". With a point pattern the master line layout from one side to the other dictates the whole composition and balance of the patterns final shape. Extreme care must be taken to insure the angle of the master line triangle is positioned in the same plane on both sides of the grip. I first lay out the border at the bottom of the pattern parallel to the grip cap flat. I then lay out the border that runs between the two panels from the leading edge of the grip cap to the back of the trigger guard. This line is first drawn in with a white pencil. When I have the two borders parallel I cut both lines in with a Japanese 70 degree veiner to about 1/4 depth. Then using a compass I establish the border around the tang and the radius on either side of the trigger bow. These curve's are then cut in with the veiner. Then I try to position the intersection of the master lines so this major intersection point lays visually in the center of the grip.

I always lay out the cheek piece side first so the rear tail of my point pattern allows for the termination of the cheek piece. To do otherwise is just asking for trouble as the end of your pattern may cut into the end of your cheek piece if done from the other side first. I cut in both master lines on both sides of the grip once I am happy with the looks and position of this intersection. I do not establish any other borders but rely on the lines to be cut in eventually to determine the end or border of the pattern. Like the forend I will lightly scribe in some reference lines to keep me honest as the lines wrap around the curves of the grip. Many people comment on how "straight" the lines appear on good checkering which I find quite comical. What you see in a good pattern is well spaced parallel lines that are then following a parabolic curve in most cases, straight? Not hardly. I also place two layers of tape on the back side of the grip panel to prevent any cutters from accidentally scratching the stock behind the pattern in this tight area.

I lay out both sides of the grip and then as with the forend establish the ends of the major points so their lengths are optically pleasing. Then I cut in the borders except for the shortest borders on the leading edge of the pattern, don't ask me why I save those for last as I'm not sure I could tell you. Then starting with the 75 degrees cutter I deepen the pattern on both sides with two passes. Once this is done I begin the final deepening with a 90 degree cutter. In tight corners I use a short corner cutter or the veiner. At this stage of the process I have 42.5 solid man hours in this checkering project and I'm are not done yet.